My summer vacation essay in english
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Introduction to Andre Bazin, Part 1: Theory of Film Style in its Historical Context. Andre Bazin, film critic, theorist, philosopher, and humanist wrote a series of essays between the vacation in english, years 1944 and 1958, before he died at for it, the young age of 40. The majority of them were anthologized in their original language in the four volume set Qu’est- ce que le cinema? Selections from these four volumes were translated by Hugh Gray and presented in two English volumes: What is Cinema? Other major works translated into English include Jean Renoir, Orson Welles: A Critical View, and French Cinema of the Occupation and the Resistance.
A recent collection of essays translated into English is Bazin At Work : Major Essays And Reviews From The Forties And Fifties , edited by Bert Cardullo. Other crucial non- anthologized articles are found in the journals Esprit, Cahiers du Cinema and my summer vacation essay in english Les Temps Modernes . Given the proposal for knowledge, breadth of his work, I have limited myself in this introduction to his theoretical work and omitted his critical work on genre/cycles (the Western, Neo-realism) and/or specific films. In my exposition of these writings I do not purport to be exhaustive, but rather to vacation essay in english arrive at an understanding of essay female child Bazin’s cinematic beliefs. My Summer Essay. By expounding, commenting on, and making necessary connections I will attempt to synthesize a complex man and his works into a manageable form. Any element of criticism is a residue of the rigorous thought process propelled by his writings. THE ESSENCE OF CINEMA. Bazin sees cinema as “an idealistic phenomenon” and only consequently technical. And Truth. Being a humanist he believes that the idea precedes the invention and hence is superior to the technical means used to achieve it. He categorizes the in english, early pioneers (Muybridge, Niepce, Leroy, Demeny, Joy, Edison, Lumiere) as “ingenious industrialists” at best. Later, in his now famous essay “The Evolution of the Language of Cinema” he would extrapolate this formula of “idea necessitating technical means” into complexity of subject matter necessitating a new form/style. To Bazin the cinema is inherently realistic because of the mechanical mediation of the camera.
This is not the same as saying that cinema is “objective” in for knowledge management, any sense other than relative, and that cinema is untouched by ideological and cultural factors, as many of Bazin’s critics have said. What Bazin does do with this fact is place cinema above painting – the camera vs. the brush- as a medium for duplicating reality. Further, cinema’s ability to record the event in time, making “an imprint of the duration of the my summer essay, object” elevates it above photography. Although the potential for human intervention is always present, even granting the mechanical intervention, Bazin believes that the filmmaker owes it to proposal management system the complexity of reality to essay in english refrain from false subjective manipulation and overwrought formalist mediation. The “myth” of total cinema Bazin speaks of is formatting a reflection of humanity’s psychological and indeed ethical, obsession in the arts with depicting reality. 1 Possibly as a means of countering mortality, humanity has forever been attempting to preserve his/her likeness in one form or another. As Prakash Younger notes in his involved argumentation in his Offscreen essay, there is an ethical and moral link between the my summer vacation essay in english, real world and the practice of on save child artistic creation and spectatorial reception of art which informs the “aesthetic” practice and theory of my summer vacation essay Bazin. This moral and a research ethical link does not circumvent the ideological, but stands as a way through the my summer vacation essay in english, “impasse” of the ideological, or, to once again quote Prakash, “pseudorealism” to get at the “true realism.” As time evolved so did the means of artistically replicating reality, from cave drawings, to mummification, to engraving, to painting, to photography, and to its (thus far) most convincing form, cinema. In the essay on save child, task of duplicating reality cinema has surpassed all other forms of representation. Bazin envisions each rung on cinema’s evolutionary ladder as a step toward a more realistic depiction of the world (sound, color, depth of field, 3- D,etc.).
Since Bazin believes that the origins of an art reveal its nature, cinema’s quest for realism supports his claim for my summer in english an objective and pure cinema. This “myth” which grew out of cinema’s beginnings stands as the touchstone cinema has progressively evolved toward. Much of the confusion concerning Bazin’s writings – and indeed a major concern in the canon of film theory- is traceable to the relationship between the filmed image and its life counterpart. How does Bazin explain this relationship? He describes it in dissertation proposal, the following terms: 1) The photographic image is “a kind of decal or transfer”; 2) “The photographic image is the object itself, the object freed from the conditions of time and space that govern it”; 3) Photography embalms time; 4) “The photograph as such and the object in itself share a common being, after the fashion of my summer vacation in english a fingerprint”; 5) “In no sense is it the image of an object or persons, more correctly it is its tracing”; 6) “The photograph proceeds … to the taking of a veritable luminous impression in formatting, light – to my summer a mold. As such it carries with it more than mere resemblance, namely a kind of identity …”; 7) “The cinema … makes an imprint of the duration of the object.” 2 The words Bazin uses are essentially synonyms: decal, transfer, fingerprint, tracing, mold, imprint. The reverberations suggest a quasi- mystical relationship between the subject and its photographic double. Child. Given Bazin’s strong Catholic background it may or may not be begging credulity to mention at this point an underlying presence of religious reverberation in lines two and six.
Line two says that the photographic image is the object itself, only “freed” from time and space. By “freeing” the object Bazin is essay implying a form of salvation or transgression to a higher moral/spiritual plateau. Line seven emits a spiritual echo through the words “a veritable luminous impression in light.” Could the photographic reproduction be in a symbolic sense the essay persuasive, soul of its real life counterpart? Even when, in in english, his article “La Technique du Citizen Kane ,” 3 Bazin defends Welles against George Sadoul’s charges of paper unoriginality he concludes with the spiritualistic thought that Welles, the modern artist, has left behind (through his films) “a resonance the likes of which we have never known before” (my translation). Essay. I offer this as a possible interpretation for the consistently allegorical tone of Bazin’s writings concerning the how to paper, relationship between the subject/object and its filmic double. THE EVOLUTION OF THE LANGUAGE OF CINEMA : an Exploration of cinema style.
In this section I will lay out Bazin’s seminal discussion of the historical evolution of my summer essay in english film style. I should stress that my aim here is to hyde compare explicate this trajectory rather than situate it within Bazin’s broader theoretical ideas. I admit that even the few criticisms I make with regard Bazin’s critical application of realist style can be smoothed over by relating Bazin’s analysis of cinematic language to my summer his larger philosophical and theoretical aims. With the championing of realism as the eventual goal, Bazin wrote a thoughtful historical overview of the and mr. hyde, evolution of film language. My Summer Vacation Essay. The major tenet coming from this overview is that the jump from silent to sound cinema was not the major evolutional point in film language. That breakthrough point would arrive several years later (1940-41).
Bazin’s starting point for dr.jekyll and mr. and contrast essay his historical overview is the silent period. Employing a stylistic and semi-auteur approach he groups all directors between the years 1920 to 1940 into two groups: one which base their integrity in the image (the imagists) and another which base their integrity in reality (the realists). The imagists are broken down into two camps, those working with the plastics (lighting, decor, composition, acting) and those working with the editing (the montagists). The realists do not distort time (like the montagists) or space (like the expressionists) but attempt to depict true reality. The major exponents of the realist camp are F.W.
Murnau, Eric Von Stroheim, Robert Flaherty, Carl Dreyer, and Jean Renoir. Essay In English. The montagists are also broken down into two camps, distinguished mainly by a time frame: 1920- 30 (Abel Gance, D.W. Griffith, Sergei Eisenstein) and 1930- 40 (the American classical “invisible” style, influenced largely, I believe, by Vsevelod Pudovkin). The end of the dr.jekyll and mr. hyde, silent period brought the two “image” camps to their apex in the form of my summer in english German Expressionism (the plastics) and the Soviet Post-Revolution cinema (the montagists). The jump from the silent to for knowledge management sound cinema did not give evidence to any immediate effects on shooting or editing styles. By the late 30’s sound moved editing toward realism, switching the operative cutting style from symbolic/expressive to dramatic/analytic. Editing style became more or less standardized. Essay In English. Cinema reached a point of classical perfection where content fused with form. By now, 1939, cinema had reached the point where most technical innovations were established (color, track, dolly, crane, zoom, sound, panchromatic film stock) and the next evolutionary advancement, if there was to be one, would not be propelled by a technical matter but a thematic one: the subject matter and the effect it imposed on technical/formal aspects. The result of this was, according to Bazin, the most important aesthetic revolution in film history, the arrival of the mise-en-scene style. How To Purchase. In brief then, here is Bazin’s evolution of film language: a) Plastics (lighting, decor, composition, acting) b) Montagists (editing)
2) The Realists:(long take, on location shooting, objective approach) By 1928 the Imagists peak with a) expressionism and b) Soviet cinema. Early sound films do not show immediate advancement of either style. By the late 30’s sound technique leads montage toward realism. By the late 30’s we witness the perfect fusion of form/content, sound/image. Film reaches its “equilibrium- profile” ( Jezebel , Stagecoach , Le Jour se leve ). By 1939 all major technical advancements are established; the next step in evolution of my summer essay in english style is spurred by subject matter. a) Pure objective realism (Neo- Realism, Documentary) b) Spatial Realism (Jean Renoir, Orson Welles, William Wyler). The implication in Bazin’s historical evolution is uniforms essay persuasive for it that by the 1940’s the imagist style had been completely engulfed by the realist style. The imagists, having had their glory days in the silent period, were confronted by the realists and, after a realist maturation period in the 30’s, overtaken by them.
A graph would read: A new type of my summer vacation Realism evolves, splitting up into dr.jekyll and mr. compare and contrast essay, two camps, as did the Imagists during the silent period, and vacation in english totally dominating 1940: a) Spatial realists; and b) Pure objective realists. This historical progress toward realism is in perfect accordance with Bazin’s notion of the how to a research paper, cinema continually inching forward toward the pure “myth” of vacation essay in english total cinema. The force of History does not always obey, and this movement does not hold true for long. There is some historical truth in Bazin’s schema because, indeed, the essay female, imagists did dominate during the silent period, as did the realists during the later 30’s, but Bazin’s contention of the post 1940 period being dominated by the realist style is essay quickly but into question by film-noir, a movement/style derivative of German Expressionism. Nowhere in What is Cinema Vol. 1 2 do we see even a passing remark at film noir or the dr.jekyll compare, expressionistic-like Universal horror films of the 30’s. Vacation Essay. This oversight is surprising, especially with the evidence already building around Bazin toward the and mr. hyde and contrast essay, evolutionary direction which the dialectics of realism/formalism would take: toward a harmonious existence where the my summer vacation, two become more or less equal and interchangeable operative modes of a complex art form.
4. I would also add that Bazin underplays the importance of sound transition to emphasize his spatial-temporal ontological theory of realism. He realized how important a step sound was toward realism, eliminating the how to purchase a research paper, need for expressivity and “denaturalization” that was a large part of silent cinema. My Summer. However, Bazin overlooks just how important a psychological role sound played in achieving the impression of lies and truth reality, and the impression of space and depth that were so important to him. Sound added immensely to realism in cinema but Bazin, perhaps so as not to interfere with his spatial/temporal claim, downplays it.
He clearly emphasizes the psychological role with regard to the visuals, so the omission may be a result of sound theory not yet entering into the general discourse of vacation film analysis. This aural component is still excluded by many people today when discussing the claim to realism cinema has over purchase a research other arts. I must mention a final slender point of essay in english disagreement. Essay Persuasive For It. By including Murnau and my summer vacation essay Dreyer as realists Bazin is falling into the same trap that Siegfried Kracauer does when he accepts certain fantastical/formalistic scenes when they are in the proper “realist” context, such as a dream or a specific point of view (Tudor 94). Bazin is on shaky ground when he removes Nosferatu and The Passion of Joan of Arc from the dissertation, expressionistic mode on the frail basis of Nosferatu ‘s on-location photography and Dreyer’s refrain from the use of make-up for his actors (Bazin, What is Cinema Vol.1 109-110). What then becomes of Nosferatu ‘s sinister shadows, fast motion and negative photography, and expressionistic acting, and The Passion of Joan of Arc ‘s abstraction of space and essay in english extreme reliance on close-ups? In neither case do the slim realist tendencies compensate for the overwhelming artistic intervention, as does Welles’ spatial realism for example. Both films fail to completely qualify for either of persuasive for it Bazin’s realistic camps –the documentary- like “pure” realism or the spatial realism.
Although one can argue that Nosferatu is ‘more realist’ than other expressionist films of the time, and that The Passion of Joan of Arc is so unique and iconoclastic in style, that the affect on the spectator is my summer in english one of realism. Having pointed toward Bazin’s preference for the mise-en-scene style I will now discuss his reasons for that choice. The depth of field/long take style, known as mise-en-scene, attracted itself to Bazin for about lies and truth two essential reasons: a) It maintained the unity of space and my summer in english the relationship between the objects within that space. b) It gave the spectator, according to Bazin, the freedom to direct his/her own control over the viewing process, including what to look at, in essay about lies, what order, for how long, and to make their own synthesis of that viewing process. Together they maintain the ambiguity – the existential ambiguity present all around us in life- of that space. Mise-en-scene can incorporate two styles, one being a documentary-like process where the camera “allows us to see” the event (Neo- Realism) and a second more aesthetic rendition of vacation in english reality where the realism derives almost exclusively from the on save child, respect for spatial unity (Welles, Andrei Tarkovsky, and Theo Angelopoulos). An integral part of the mise-en-scene style is the presence of depth of field.
Bazin wrote entirely on this aspect in the article “Pour en finir avec la profondeur de champ” (“My Final Words on Depth of Field”) ( Cahiers du Cinema . 17-23). This article begins by vacation essay stating that depth of field belongs only incidentally to the technical domain (my translation): If depth of field interests us it is only incidentally as a technical progress of a shooting style and, essentially, as a revolution of mise-en-scene or, more precisely, ‘decoupage’ (19). Here he sets down the kernel for the balance of the article. Hyde Compare And Contrast Essay. Bazin examines a frame from the 1910 film Onesime (Louis Feuillade) and sees in its composition in depth and soft focus the seeds for the later more refined depth of field style. In English. The shot in questions has the title character framed in lies, left, extreme close-up, with a secondary character visible in essay, the right background of the frame (my translation): Something outside of Feuillade’s genius allowed him to spontaneously discover a prophetic frame, a rough outline of dr.jekyll and mr. hyde and contrast essay a Renoir or Wellesian shot. In this case, the discovery was not out of genius, but out of necessity – he did not have a choice (20).
Given the technical state of 1910 the shot succeeds partly; both planes are visible but the background is soft. Again, giving the state of cinematography (to render a clear, legible image) and the state of audience awareness the softness of the vacation essay in english, background appears as a default. With the ameliorization of the depth of dissertation for knowledge management system field shooting style and my summer vacation essay the parallel advancement of audience awareness, soft focus becomes a technique (rack focus and softening of a part of the image for an effect) and takes on uniforms persuasive for it a different meaning, that of decoupage. My Summer Vacation. 5 The soft focus effect is (my translation) … an indirect means in which to persuasive place value in the shot which is being focused; it transcribes in the frame the dramatic hierarchy which montage expresses in time. In this new complex perception the clarity of the background is my summer vacation essay no longer indispensable; soft focus is no longer experienced like an uniforms essay persuasive improbability: it becomes contrast and not contradiction ( Cahiers du Cinema 22). In a pre-montage context Feuillade foreshadows the true sense of my summer depth of lies and truth field – the ability to preclude montage through decoupage in depth. 6 According to Bazin decoupage in depth approaches a realism in an ontological sense, restoring to objects their existential density.
All elements, actor/object and foreground/background are fused into one perceptual pattern (Bazin, Orson Welles , 80). A final quote serves, perhaps more than any other, as a testament to Bazin’s burning stance as “realist” theorist (my translation): In classical style when a character becomes secondary he is usually eliminated from the scene. Welles maintains that his play not be so precise, but to keep the character “alive” so as to allow the spectators to continually dispense their attention. We must constantly be on the lookout for principal actions which can produce itself “behind our backs” so to speak. Here a part is taken from reality; a way of my summer vacation essay in english posing reality homogenous, of considering it indivisible and accruing equal weight to how to a research paper all coordinates of the screen. Vacation. All the lies, decor and all the actors in in english, the total image are equally offered to the action and at management, the same time to our attention. If they remain outside it is nothing but a hazard as equally unpredictable as an isolated result of the numbers game (Bazin, Les Temps Modernes 947). Unlike Eisenstein, who wrote voluminously on montage and comparatively little on its antithesis, Bazin wrote substantially on montage. Bazin describes editing as a “series of either logical or subjective points of view of an vacation essay in english event.” Dealing with sound films, he lists three motives for cutting: 1) As a purely logical descriptive analysis of the narrative 2) As a psychological analysis from a character’s point of view and 3) As a psychological analysis from the audience’s point of for knowledge management view. (Strangely, he shortly thereafter refers to them as “arbitrary”) ( What is Cinema Vol.
1 , 92). Bazin opposes classical and expressive editing on vacation the following counts. The simple geographically and psychologically logical (dramatic) cutting within a scene does not add anything to how to purchase paper the intent of a scene, only my summer essay in english adding emphasis. So why bother? If the scene has only one simple meaning why insult the dissertation, audience’s intelligence with needless and obvious close-ups? Contrarily, if the scene is complex why presuppose only one meaning? Expressive editing invents meaning through juxtaposition of the images and not through the images themselves. This is vacation in english trickery; it removes the freedom on the part of the spectator to select for him or herself and removes whatever existential ambiguity may be present in the scene. Dissertation System. Therefore it is my summer in english not faithful to reality, either spatially, temporally, or morally.
Bazin is essay about not against editing which forms the basis of film structure, that is my summer in english cutting necessary to join unconnected scenes/sequences, but is against optical illusions (superimpositions, dissolves, process shots), needless pedestrian editing within a single scene, and proposal expressive editing that adds meaning through the juxtaposition rather than content of each image. My Summer Vacation. Bazin employs a simple aesthetic criteria for deciding when to edit: anytime two or more objects/subjects are necessary to the construction of meaning in a scene, depth of purchase a research field is preferable over editing. Bazin opposes the contention that editing is a more realistic depiction of the physiological viewing process on vacation several counts. Logical cutting according to drama, narrative, and anticipation constructs a sense of an integral space. The master shot establishes a location so that the cutting to points within is physically (spatially) understood; the dramatic action makes it psychologically understood. This cutting leads the audience along and is usually one step ahead of them. Bazin sees this as only one of essay about lies two possible modes of in english realism. This mode appropriates the realism of the narrative process and the mental process following it. Essay Persuasive For It. The second mode of vacation in english realism appropriates the event itself. The implication is essay lies that there is my summer vacation in english a choice between one type of reality and lies and truth another.
Here it is my summer essay instructive to recall Younger’s distinction in about and truth, Bazin’s understanding of realism in my summer essay in english, art between “pseudorealism” and “true realism” -the former being caught in how to purchase paper, the trappings of ideology or meaningless formal articulations. All arts share in this inability to completely capture reality, but there are differing ways of countering this problem. The true realist does not fight against this opposition but merely tries to accommodate it through sincerity and honesty. According to Bazin, within the historical conditions of the 1940s and 1950s, the best way to achieve this was by means of spatial integrity, depth of field, and in english the long take mise-en-scene. Cinema can never totally duplicate the and truth, viewing process – physiologically and psychologically. That would be impossible, and if possible it would be a visual quagmire.
Bazin realizes that the human eye does not perceive a scene in the same way as a camera recording a scene in depth of field and/or long take. This limitation becomes a virtue. By being faithful to the space and vacation essay in english the event itself the spectator is able to perceive this hypothetical scene with greater insight and purchase a research paper clarity than if he/she were physically present at essay, the scene. The reality of filmic space and the filmic event supercedes the human perception of it. The essay “The Virtues and Limitations of Montage” presents, in the strongest possible sense, Bazin’s mistrust for montage and discloses the essence of his preference for the mise-en-scene style. A Research Paper. Bazin denounces the “trickery” of montage, evident in the animal film by Jean Tourane.
Here montage becomes emblematic of essay in english its untruthfulness – by relating the human qualities of animals by about virtue of off-screen guidance and vacation essay in english editing. Later in the essay he discusses the process shot, an equally deceiving effect, and says that the point is not whether or not the formatting, trickery is noticeable, but whether or not it is used (a question of integrity). Thus far Bazin’s reasoning implies that the artist has a moral obligation to the audience and the faithful rendition of the event/space. He then uses an example from the film Where No Vultures Fly to demonstrate how much more effective depth of field is my summer in english than parallel montage. (The scene has a wandering child playfully picking up a stray lion cub and then being pursued by the lioness.) The fact that the lion is tame is unimportant; this deceit is made “morally” correct because it occurs in a homogenous space. Bazin sees no deceit in the proceedings behind a long take/depth of field shot (numerous takes, removal of formatting walls, props, etc.) but instead wants us to neglect the causal events and consider only the final results. Vacation. 7 (Contradictorily, Bazin supports his contention that photography is superior to painting by referring to their causal means – mechanical intervention vs. human intervention. Though ‘mechanical’ must be considered relatively, since all ‘tools’ (pen, brush, needle, etc) used in art are a form, lesser perhaps, of mechanical intervention.) Through these contradictions we can decipher Bazin’s true motives for his disliking montage and upholding mise-en-scene. Montage is untruthful to formatting spatial integrity and also deceives the audience through its juxtapositioning; therefore montage is of secondary importance, morally and aesthetically, to the mise-en-scene style. The integrity of spatial unity is of the utmost importance and supercedes all else – deceit included. Bazin’s preference for spatial unity can also be understood as a philosophical (Bergsonian) preference, as I will point out in Part 2 of this essay.
BAZIN THE THEORETICAL WORLD. In this section I will point to some overlooked parallels between Bazin and other classical film theorists. My Summer Vacation Essay. An interesting development/argument ensues when considering Bazin’s stance toward editing in relation to Vsevelod Pudovkin’s theory. In Pudovkin’s illuminating and influential film theory the uniforms persuasive for it, natural way for a filmmaker to constitute a scene is to assume a hypothetical “perfect” observer, an imaginary, attentive, sensitive eye which captures the my summer in english, scene not the way everyone would see it but the way an acutely intense, analytical, and probing observer would. This is an ideal approach, but realistically, most directors either do not place that much thought into the editing or do not have the aptitude to, and, consequently, fall back on the more traditional editing style, to what Noel Burch terms the “zero point of essay about and truth cinematic style” (11). Even given the ideal, Bazin would still reject Pudovkin’s theory because of its potential to reduce the possibility for multiple interpretations.
Deciding for or against one theory may ultimately hinge on the complexity of the particular scene. Given a simple, straightforward scene where the meaning is only at the surface level, Bazin’s resistance to the theory is tenuous, but a complex scene with possible multiple interpretations gives more credence to Bazin’s opposition. Trying to select between Pudovkin’s ideal observer and Bazin’s democratic observer becomes more problematic if pursued further. Let’s take Bazin’s favorite example, the seal hunt scene from Nanook of the North . Bazin says that a traditional editing pattern would have ruined the impact of the single take scene. This may be true, but if that were indeed the best way to view that scene then Pudovkin’s ideal observer would also watch it from the same fixed viewpoint. My Summer. The argument could go on and on. In principle, Bazin opposes the fragmentation of any scene which could be observed in its spatial unity. Bazin and uniforms for it Rudolf Arnheim, despite one being a realist and the other a formalist, begin their theories from the same starting point. Both theorists begin with the contention that cinema reproduces reality mechanically. Arnheim’s end goal is the equation film=art, while Bazin’s is vacation in english film=reality. About And Truth. Bazin accepts the contention, and in fact posits it himself, but adds to it by elevating the filmic double to a spiritual/moral/ethical level.
Arnheim refutes the contention by saying that regardless of the vacation essay, process, even on the most elementary level the recording of an object/subject is and mr. hyde compare answerable to many factors. (Example: The problem of in english reproducing three dimensional objects in a two dimensional medium – positioning of object- and paper the intangible aspect of intuition – deciding whether a person is my summer essay more him or herself in profile or full face or whether one angle of a mountain is more expressive than another) (Arnheim, 8- 11). These decisions can not be arrived at mathematically but through human sensibility. Arnheim begins with the contention and then attempts to accord to the filmmaker the same artistic intervention of the dr.jekyll hyde and contrast, painter. Essay. Bazin, in contrast, downplays the filmmakers intervention. Persuasive For It. In both cases the limitation – not being able to vacation reproduce reality exactly- becomes the source for paper the respective ends. My Summer Vacation Essay In English. In Bazin’s case the film, in essay and truth, its faithfulness to the event, grants the spectator a privileged experience of that event; in Arnheim’s case the my summer essay in english, spectator experiences the dissertation proposal for knowledge management system, event colored through the vacation, artist’s sensibility. Writers who try to reveal inconsistencies in how Bazin applied his own theory to criticism often focused on his troubled affirmation of Welles as a realist. Andrew Tudor, in Theories of Film , says that Bazin enters “deep water” in doing so because Welles is the great inheritor of child German Expressionism.
Tudor, although noting the vacation in english, two types of realism Bazin formulated – the pure realism and the spatial realism- does not allow Bazin this benefit. Purchase A Research. I can respect Tudor’s refusal to grant Bazin the benefit of two types of my summer vacation essay in english realism, but I disagree with his reason. Tudor believes that Welles’ baroque style – the chiaroscuro lighting, the excessive camera movements, the odd angles- is, along with montage and decor, just “another – way of essay female destroying the visual unity of my summer vacation space.” Bazin is well aware of Welles’ affinity for the baroque and the manipulative potential mise-en-scene carries: Welles’ pictures are more difficult to analyze because of dissertation his over-fondness for the baroque. My Summer Vacation. Objects and essay about lies characters are related in such a fashion that it is impossible for the spectator to in english miss the significance of the scene. To get the same results by way of montage would have necessitated a detailed succession of shots ( What is Cinema Vol.1 34- 35). Bazin does not deny that the depth of field style can, in that sense, appropriate montage – for that is Bazin’s point- and the point missed by Tudor. Tudor’s accusation that Welles fragments space with his baroque style can be read as Bazin’s “decoupage in depth.” Hence, decoupage in depth is not anomalous to Bazin’s spatial realism but an essential part of proposal management system it. Although Welles inherited many traits from German Expressionism Tudor can not deny that the context is different – within Wellesian mise-en-scene- and that there is a difference between cutting a space through montage and cutting a space “in depth” as does Welles.
It is this distinction – manipulation via editing vs. manipulation via mise-en-scene- which makes the difference for Bazin. The last theorist I will consider is Brian Henderson. He serves as an endpoint to this section because Henderson exemplifies the by-product which can result from the constant need to my summer in english reevaluate and dr.jekyll and mr. hyde compare think through existing theories. In his essay “Two Types of Film Theory” Henderson discusses the my summer vacation essay in english, choice representatives of the formalist and realist camps, Eisenstein and Bazin. One of the dr.jekyll and mr. hyde compare essay, conclusions he arrives at vacation essay, is that both theories, albeit drastically different, are in the general sense, ‘incomplete’ theories of the dissertation, sequence. My Summer Vacation Essay In English. Out of this evolves Henderson’s critique of both theories: neither considers the relation of the part (the sequence) to the whole. They do not envision a theory of the formal construction of the total film. At this point Henderson does not posit any answers, but only raises the question of whether there can be a theory dictating the complete organization of a film. Does Bazin’s theory, in essay about, any sense, constitute a “complete” theory (disregarding his neglect of my summer essay sound)? The frame/shot/scene/sequence are the principal building blocks of film, with the sequence being the largest “part.” Bazin’s mise-en-scene contains all these elements and dr.jekyll and contrast his constant championing of mise-en-scene at the expense of my summer essay montage dictates how these elements should be used; as such, this constitutes a theory of how a film should be constructed from beginning to end. Although Bazin expresses approval of simple editing to join homogenous spaces (connecting scenes/sequences which in themselves are shot in depth), he never felt the need to expand on and mr. hyde compare and contrast essay the relationship between long take and editing.
Consequently, all that is missing to form a “complete theory,” in my summer in english, the very general sense, is a term designating this “carry- over” from uniforms persuasive for it sequence to sequence. Henderson himself would later supply this term. In the subsequent essay “The Long Take” Henderson examines the role of editing within the long take style vis- a- vis Welles, Ophuls, and Murnau. As an answer to his own query, he posits the inter and intra-sequence cuts, cuts occurring in between sequences (inter) or within sequences (intra) (See essay by David George Menard, “Toward a Syntheis of my summer vacation in english Cinema- a Theory of the Long Take Moving Camera.”). Regardless of the validity of Henderson’s theory, the point is that through a thought process predicated on Bazin’s theory and a need to “complete” it, Henderson constructed a theory of the sequence cut.
This interplay between contemporary and past theorist is a vital part of the theoretical world’s evolution and proves the validity of past theories. As art evolves so must the theories. In making this contention Bazin is, of course, glossing over a long line of antithetical movements (Expressionism, Surrealism, etc.) revolting against this obsession with realism. #8617; All of these quotes or paraphrases are taken from uniforms persuasive What is Cinema Vol. 1 pps. 14, 15, 96, 97. #8617; Andre Bazin, Les Temps- Modernes 17, (1947), 948. Although too long to quote in my summer, full, the latter part of this article explicitly reveals Bazin’s tendency to about lies and truth revert to my summer in english a religious or mystical tone when supporting a claim he feels strongly for. #8617; There still are filmmakers who fall exclusively into one or the other camp, Miklos Jansco for example, but most directors utilize both styles according to their needs: Hitchcock, Godard, Kubrick, and Scorsese as prime examples #8617; There are two terms used by Bazin which either take on a different meaning in their English translation or don’t have an equivalent. Montage in English terminology implies a rigorous and expressive editing style. On Save Female. Most editing sequences juxtapose shots of varying space, time, and content combining to create an over- all idea, meaning, or tone.
Editing implies the my summer vacation essay, formal construction of the film from one shot to the next and is not necessarily expressive. Bazin uses the terms interchangeably. And Truth. The second term, decoupage, has no English equivalent. The French definition is “to cut,” but applied to film the in english, word is better described as construction. Noel Burch, in Theory of Film Practice, defines the three terms for which decoupage is interchangeably used for as: 1) The final form of a script replete with the required technical information. 2) The practical breakdown of the film’s construction into separate shots/sequences prior to filming 3) The underlying structure of the finished film, which has probably deviated from the original “decoupage.” #8617; With the meaning of decoupage in how to a research, mind, we must consider the other means by which depth of field appropriates montage: the moving camera, especially the reframe, the zoom, lighting, props, and the use of off- screen space. #8617; The phenomenological approach at understanding the my summer essay, essence of phenomena also foregoes the causal series of events (Husserl’s “bracketing”). #8617; Donato Totaro has been the editor of the online film journal Offscreen since its inception in 1997. Totaro received his PhD in Film Television from the University of Warwick (UK), is a part-time professor in purchase a research paper, Film Studies at Concordia University (Montreal, Canada) and a longstanding member of AQCC (Association quebecoise des critiques de cinema). Bazin and vacation essay “The River” as a Problem in and mr. compare, the History of my summer vacation essay Film Theory, Part 1.
Re-thinking Bazin Through Renoir’s The River, Part 2. Re-reading Bazin’s Ontological Argument. Introduction to Andre Bazin, Part 2: Style as a Philosophical Idea. Susan Sontag: Against Interpretation? The Ending(s) of Cinema: Notes on dissertation proposal management the Recurrent Demise of the Seventh Art, Part 2. The Ending(s) of Cinema: Notes on the Recurrent Demise of the Seventh Art, Part 1.
1997 2017 Offscreen, ISSN 1712-9559.
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5 Tips for Creating a Photo Essay with a Purpose. As a photographer, you are a storyteller. The nouns are your subject matter; the verbs are the color and contrast that keep the story moving. A cast of my summer essay in english characters all working together to get your point across. Instead of proper grammar, you ensure proper exposure. For Knowledge! Instead of spelling errors, you watch for tack-sharp focus. For those times when the story is especially important and essay, meaningful, or for when one image doesn’t say it all, there is the photographic essay. With blogging and social media, photo essays are more popular than ever: humorous or emotionally relevant, sparking debate or encouraging compassion, each with a story to tell. I’ve mentioned before that taking on a photo project is essay lies, one of vacation in english my favorite ways to reignite my love for photography, but beyond that, it’s a great way to get your message across and have your work seen by essay for it a larger group. A photo essay is intriguing; it’s something to talk about after people hear that you’re a photographer and essay, want to on save know about the glitz and glamour of it all.
It’s the vacation essay, perfect thing to tell them after you’re done going on and on about all of the red carpets, the celebrities, the fame, and the fortune. Dissertation Management! It also can be extremely satisfying and vacation in english, kick-start your creative wonderment. By definition, a photographic essay is a set or series of photographs intended to tell a story or evoke emotions. Dissertation! It can be only images, images with captions, or images with full text. My Summer Vacation Essay In English! In short, it can be almost anything you want it to a research be. Which is where I struggle mostwhen the options are limitless. In this freelance world we live in, I love a little guidance, a little direction. Ideally, someone to tell me exactly what they want and promise to be thrilled with whatever I produce, for my fragile artist ego can’t take any less. Vacation Essay! While I continue my quest for that, I offer you these 5 tips for creating your own, completely without bounds, photographic essay: Each time I’ve had a very specific concept in mind before I started shooting, it’s never been the uniforms persuasive for it, end result. An example: for a hot minute, I offered a “day in the life” session to my clients. I was photographing so many of the same clients year after year that I wanted to my summer vacation essay in english be able to offer them a different spin on the portrait sessions I was doing for them.
I asked a long-time client if her family could be my guinea pigs for essay about lies this and told them that we could do whatever they wanted. We went out for ice cream, had a mini dance party in their living room, and I photographed a tooth that had been lost that very morning. Then, very last, I photographed the two young daughters with notes they had written, which to be honest, I’m not even sure how they had come about. I rushed home after the session and edited those last note pictures first just because they were so different from what I usually shoot, and posted them on my personal Facebook page the my summer vacation in english, heading Notes Girls Write . Within minutes a dear friend, and fellow photographer, commented that this was big. On Save! Bigger than just the two pictures. She and I would spend the next year working on vacation essay, a photo essay that became a blog, that in turn became a book entitled Notes Girls Write . We photographed hundreds of women of all ages with their notes, each one later expressing having their portrait taken with their own words was an extremely powerful moment for them. Essay For It! Beyond my beautiful children, the fact that I can make a bed with hospital corners like no one’s business, and the award I won in the 4th grade for “Most Patient”, Notes Girls Write is one of my summer vacation essay my proudest accomplishments. It evolved on its own, starting from a few similar photographs that struck a cord in viewers and becoming a large and proposal for knowledge management, powerful project, one of the biggest markers in my career so far.
TIP: Don’t be so set in essay your idea that your project can’t outgrow your original concept. Your images will guide you to your end result, which may end up being different than you originally envisioned it. 2) If you think there’s something there, there’s likely something there. For the last year I have been a “foster mom” with a dog rescue group. Volunteers transport dogs that would otherwise be put down from overpopulated shelters, or seized from dissertation formatting, terrible situations, to my area, where dog adoption rates are much higher.
These dogs live in foster homes while they receive medical care and basic training so that they can be adopted out to loving homes. It’s incredibly rewarding. Especially when I had hardwood floors. I knew from the first time I met the essay in english, transport van I wanted to document what it looked like: a van full of dogs that just narrowly escaped death arriving to temporary homes where they will experience a level of love and care which they’ve likely never known. I tear-up every time I see it. I am also put to uniforms essay work every time I am there, so taking photos while holding onto a 100 pound German Shepard is tough. It’s going to take me several trips to have enough images to do anything with, but that’s fine.
I have no idea what I will be doing with these photos. I know they will find a home somewhere: maybe with the rescue group to vacation essay raise awareness, or to dr.jekyll and mr. compare and contrast essay help bring in volunteers, or maybe they will do nothing more than document my own story with volunteering, or perhaps something more. I’m not sure yet, but the point is that I have the images, ready for their time, whenever that is. TIP: If you think there is something to it, there likely is. Even if it’s just a personal passion project. Take photos until you find the direction or purpose and save them until your essay takes shape. You may not end up using all, or any of the my summer vacation essay in english, images, but in continuing to take photographs, your project will be defined. Persuasive! I’m the “World’s Worst Over-Shooter”. Need one image? Let me take a hundred so we know we have it. Luckily for my bad habit, the photographic essay needs over shooting.
Whether you know what your plan is, or have no idea want your end result will look like, the more coverage you have, the my summer vacation, better. This is one of the few times I push my luck and ask my subjects to and mr. hyde work for me until they never want to see me again (I only photograph people though, so if you are photographing mountains or something, you have the added advantage of not pushing people until they cry or yell). Don’t be shy. Shoot everything you know you don’t need, just in my summer vacation essay in english case you need it. Should your end product need supporting images or take a different direction than you originally thought, you’ll be ready. How To Paper! Take advantage of digital (if that’s how you shoot) and fill a memory card. You may end up trashing everything, or you may not. Vacation! I had no idea that my Notes Girls Write project would span for as long as it did, but because I didn’t turn down anyone who was interested in a research paper the very beginning I ended up with some shots that told complete stories and expanded on the original concept.
TIP: Think big. If you are shooting an essay where mountains are your subject matter, see the mountain in pieces and photograph the essay in english, surrounding trees, rocks, and whatever else. This will save you having to lies return to the beginning of the project for supporting shots, or having to reshoot if your essay takes a different turn than you planned. 4) Ask for help with image selection. Vacation Essay In English! I struggle with this oneI let my personal feelings get involved. Throughout our Notes Girls Write project I was constantly picking images based on my personal feelingsthe subjects that I had connected with more, and the girls that I knew were most interested in the project.
This is dissertation for knowledge system, where it is so helpful to have someone else help. Someone who has no personal feelings towards the images and will help you pick based only on my summer, the strength of the image and not your own feelings. Even if people were not involved as subjects, you tend to have personal feelings toward images that the dissertation, general public may not see the my summer, power behind. Uniforms Essay! I recently photographed several dozen sexual assault survivors as part of a photographic essay for a victim advocacy’s annual gallery show. This event is my summer in english, meant to put faces on the survivors and raise awareness, and how to purchase a research, has been a large local event for years. My Summer Vacation! I was thrilled to be selected to uniforms essay for it be the exclusive photographer, though this was one of the my summer in english, hardest projects I’ve ever taken on. Dissertation Management System! The photo sessions themselves, whether five minutes or 30, were extremely emotional for the survivors and in the time I spent with them, I often learned a lot about their journey and experience. This made it difficult for my summer essay in english me to dissertation formatting pick which final images would be used for the show, based only on the power of the image and not my personal feelings.
In the end several select friends helped me narrow each survivor’s images down, and the subjects themselves selected which would be the final image used, as ultimately this is their story. TIP: All creative work is my summer vacation essay, personal, and looking at dissertation formatting, photographs we take ourselves is incredibly hard to do with clear eyes. We see the my summer essay, mistakes, the personal feelings, the shot that could have been better. It’s impossible to dr.jekyll and mr. and contrast always set these aside so when working on a project that is incredibly important to vacation you, or large in dr.jekyll and contrast essay scale. Have others help you decide what images to use for your final pieces. Bring in people who are interested in photography and people that aren’t. People that know about in english your subject matter and how to purchase, people that don’t understand it at all. But above all, bring in people who will be honest and not tip-toe around your feelings.
Lastly, also bring a thick skin. 5) Tell your story, in fact shout it from the rooftops if you can. Maybe your original idea for your photographic essay was to my summer vacation essay in english post it on your blog. Awesome, nothing wrong with that, but are you sure it can’t be more? Shop it around, who can it help? Does this benefit a group, an essay on save, organization, or a person?
Could it inspire people? If you feel passionately about the photos, chances are that someone else will too. Your photographic eye doesn’t stop when your shooting is done. If you felt compelled to take the time to in english create a photographic essay, there are likely “readers” for your story. TIP: This isn’t the for knowledge system, time to be humble. Vacation In English! Taking on dissertation formatting, a photo essay is a large endeavour.
While there’s nothing wrong with having it be something you only did for my summer in english your own personal growth, showing it around can be helpful both in experience and longterm benefit. Post it on social media, find appropriate places your essay could be displayed, and think about how it helped you. Every single photo essay I have done has led to an outstanding connection, or more work, and there is nothing wrong with getting those things along with the personal gain of accomplishing something you’re proud of. The ideas are truly for dissertation a photographic essay are limitless. Vacation Essay In English! Truly. Want a few more ideas for hyde projects, try these? Have you ever done a photographic essay? What is your experience? Share with in the comments if you have, or have considered it.
If you haven’t, what are you waiting for? Read more from our Tips Tutorials category. Lynsey Mattingly photographs families, kids, couples, and other groups of people who, for my summer vacation whatever reason, kind of like each other. Her portrait work has been featured in People Magazine, Us Weekly, BBC Magazine, and on national TV including CNN, Oprah, and Ellen, but most importantly, in the personal galleries of clients across the country. Her photography can be viewed at dissertation proposal for knowledge management system, www.lynseymattingly.com or on Facebook.
Excellent post Lynsey. My Summer! I suffer from the same challenges as you in tip #4. I get caught up in my personal meaning behind some of my pictures. Apparently, others feel the same way. http://www.picture-power.com/my-most-powerful-picture.html. I have an idea for dissertation proposal for knowledge a photo essay I wanted to pursue, this article helped grow it further. Thank you. Wonderful article. My Summer Vacation Essay! I liked the dissertation proposal system, picture for #3. This is the main reason why I think a blog is a much more interesting format than a photo sharing site such as flickr or 500px to essay in english show your work; for me, the images are just part of the story, but the words and texts can help define them, giving them context and body.
For me, an image rarely works alone and usually comes in a set with a particular rhythm and essay on save, flow; what precedes and what follows is a very important element of vacation in english each capture, as well. One example from my blog, a short walk that I took recently along a humble neighborhood in dissertation Bangkok: I think the vacation, issue in Tip #4 is common to all creative endeavors: We all get too close to the material. In a previous life, I was a writer and editor, but when it came time for me to edit my own stuff, I had somebody else look at formatting, it. We have too much of ourselves tied up in in english the work to be objective sometimes. Wonderful article, thank you #128578;
some of the examples are awesome and thought-filling. Thank-you for telling me about this!! It pretty much rocks. I am so glad that I came across this article this morning. I am no pro dissertation formatting photographer but just someone who loves capturing images to share. I have been asked to volunteer my time to vacation essay in english capture a group of students in Beijing, who would be traveling to Xian, the home of the terracotta warriors, to and mr. essay help out in a orphanage just 2 weeks from now. I have never done this before. They are not expecting much. Just pictures for the event. However, I wanted to vacation in english tell a story.
A story of these volunteers as well as the uniforms essay, orphans and my summer vacation essay, I have been struggling over the past week of dissertation proposal for knowledge management whether is that what I should do. After reading this article, I know that I am on the right path and hopefully help not to my summer vacation take pictures of people, but take pictures of the story behind the people. Thank you again very much. For Knowledge System! This is my first opportunity to vacation essay use my hobby for a good cause, and I am very excited about dr.jekyll it. Thank you again for this great article.
Really good points and very motivational to my summer essay get me on a riveting photo essay again. I did attempt one such photographic essay which I titled #8220;The World of Weeds.#8221; Would appreciate a few visits with any helpful comments or critiques. It#8217;s over at one of dissertation proposal management my blogs and can be found here: http://thegoldenumber.blogspot.com/2013/07/the-world-of-weeds.html. you have some beautiful images there, but I would keep the focus similar. the shift in focus from 1, 2, 3 and 5 is vacation essay, radical. 5 the green plant on the corner and how to purchase, then 7 seems another sudden change. The drain-pipe is beautiful because the eye follows the path of the pipe and my summer vacation in english, so tightly focused. It seems to be erratic because you have the wonderful still life of dried plants against nearly solid backdrops like walls and then sudden change to essay on save female green plants that don#8217;t seem to have the same focus.. Vacation! but the about, dried plants and wall work, the drain beautiful and interesting. The green plants against my summer vacation essay in english walls work well with dried plants because they have similar conceptual style.
Overall, is interesting group and child, should be developed some more. I recently completed my first photo essay as an eBook. It took me a long time to vacation essay in english figure out how to work with iBooks Author, but it was a great platform to construct such a vehicle to display digital photographs in a meaningful way. Dr.jekyll Compare! Unfortunately, it only vacation essay publishes to iBooks, which translates, effectively, to having the eBook only on iPads. Photo essays in black and white. A Research Paper! This post inspired me to start my website of vacation essay photo essays. My current ongoing series is dr.jekyll hyde compare essay, about a band I went on tour with and the different things I learned and encountered: http://www.quietandconstant.com/on-tour-with-lemuria-part-1/ I recently made a photo essay which was published in a mainstream web portal so I#8217;m quite happy about that. Vacation Essay In English! I agree that sometimes, photographs have to be put in context by using words to string them together. Also believe that any subject can be turned into a photo essay. The Photo Essay is a piece where its the photographer#8217;s voice through and formatting, through.
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